by Julie Perez
I knew I would fall in love with Waitress the Musical the moment that I found out that Sara Bareilles was creating the music for it. I knew I would love it and yet I was completely unprepared for the journey the musical took me on.
Last week, I was lucky enough to travel to New York and was able to attend Waitress the Musical. Being that I’ve been listening to the music for about a year; my expectations were ridiculously high. The show is an adaption of the indie film “Waitress” and the stage version has captured the same sweet magic that the original film contained. The running themes are strong with empowerment; the female friendships, the mother-daughter relationship, the strength you find from something you are good at, the lessons in mistakes and the realizations that come from finding yourself. On the surface, “Waitress” is a fun musical about baking but a couple of songs in and you slowly realize that the ride you’re about to go in is about to be heartbreakingly-empowering.
With Jessie Mueller leading, everything else seems to fall perfectly into place. The chemistry between Jessie Mueller and Drew Gehling (Dr. Pomatter) was palpable, whether it be with their comedic timing or their performances together; “Bad Idea”, “You Matter To Me”. Gehling brought a sweetness to the character of Dr. Pomatter that was missing from the film. Gehling shines in his charismatic-awkwardness and his performance made Mueller’s final decision (at the end of the show) even more difficult to witness. Caitlin Houlahan as Dawn was the perfect portrayal of a socially-awkward (some may say nerdy) and extremely-likeable character. Her performance of “When He Sees Me” was by far a stand-out moment and Houlahan completely owned the moment.
If we want to talk about scene-stealers though, we really should give a moment to Christopher Fitzgerald (Ogie). All eyes fell on Fitzgerald every single time he came on stage and his commitment to the role earned him the standing ovation that happened at the end of the show. Fitzgerald had me from the moment he sang “Never Ever Getting Rid of Me” and my love for him only grew with “I Love You Like a Table”. Ogie and Dawn’s relationship was a wonderful distraction amidst the numerous tumultuous relationship. Both Fitzgerald and Houlahan brought a genuine chemistry that had me wholeheartedly believing in their relationship.
In its entirety; Waitress is a powerful and emotional Musical. Though at times the background and the many moving pieces was a bit distracting, it didn’t take away from the fact that at its core this Musical has HEART. It connects with you in unexpected moments and personally, I spent the entire second act crying (I was not alone).To follow Jenna on her journey into liberation was a privilege and one that I encourage everyone to witness. Waitress is an experience from the moment you step into the theatre; the hallways smell like pie, they sell mini pies and they sell custom drinks (I had the “I Don’t Wanna Baby”). The authenticity of the show stays with you well after leaving the theatre and you’d be a fool to miss out on the opportunity to see this creation live.
Jessie Mueller’s run is ending in 4 weeks but the multi-talented Sara Bareilles will be taking over the role of Jenna. I’m not sure if I’m happy for myself because I got to witness Jessie Mueller or jealous of everyone who gets to see Sara Bareilles’ Broadway debut.
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